I received a beautiful Bangali Kantha silk saree from my friend in India, which inspired me to write down my thoughts and observations about Bangali Kantha and Sindhi Gindi embroideries. Both techniques involve layering fabrics and decorating them with running stitches, using similar construction methods, yet they differ in technique, aesthetics, and cultural significance. Here's my breakdown:

Bangali Kantha originates from Bengal, both India and Bangladesh. It is traditionally made by layering old sarees or dhotis and securing them with fine variations of running stitches. The embroidery often features floral patterns, birds, human figures, and scenes from folklore. Originally, Kantha was practiced for quilting and everyday textiles, but today, it is also incorporated into garments and artwork. The aesthetic of Kantha is fine and highly decorative, with a dense, textured surface that shows intricate craftsmanship.

Sindhi Gindi comes from Sindh, Pakistan, and is created using running stitches arranged in geometric patterns. This technique is often combined with patchwork made from rags of old Ajrak fabrics, which are naturally printed. The motifs in Gindi embroidery are structured and repetitive, forming symmetrical grid-based designs. Traditionally, it has been used to make quilts, dowry textiles, and household items. Compared to Kantha, Gindi has a coarser texture and a more structured, bold aesthetic, emphasizing geometric repetition rather than figurative designs.

Both styles reflect South Asia’s tradition of repurposing fabrics into meaningful, functional textiles. While Bangali Kantha is more refined and figurative, Gindi embraces a coarse, structured repetition. These embroidery traditions not only preserve heritage but also continue to inspire contemporary textile art.

Bangali Kantha Example

Sindhi Gindi Example (Modern Make from Marigold Hibiscus Plant Dyed Kit)

Marigold Hibiscus Plant Dyed Kit